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Showing posts with label photoshoots. Show all posts
Showing posts with label photoshoots. Show all posts

Sunday, 6 April 2014

Simple Girl-to-Boy Makeup

I’m practising girl-to-boy makeup at the moment for an upcoming shoot, and thought I’d share the simplest way you can do this. When doing boy-to-girl makeup, you can rely on wigs, colour cosmetics and styling a little more than you can when you’re doing girl-to-boy makeup. No, not all girls wear lots of makeup and have fancy hair, but plenty do and you do rely on stereotypes when trying to express gender with makeup almost as much as you do on physical clues.

For inspiration and instruction, I turned to Making Faces by the amazing Kevyn Aucoin. If you don’t have this book, get it. If you don't have any of his books, get them all. I referred to this page of the book where he explains how he turned Gwyneth Paltrow into James Dean. Yes bitches, that's Gwyneth Paltrow.

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This was a very quick look for Kevyn – he used a pre-made brow piece, so it only took him 15 minutes. However, he does into depth about how to do the brows yourself.

Man Eyebrows

Male eyebrows are often lower than female eyebrows, especially as more women than men shape their brows to open up the eye area.. I didn’t want to cover my brows and draw new ones on just to lower them for practicing, but it’s an option1 I individually drew in hairs using thin brow pencils in two colours, extending past my own brow on both ends, and used a clear brow gel to brush the hairs up and add texture. If you don't have a thin pencil, use the tiniest brush you can and a brow cake or matte shadow with mixing medium. Try and mix a couple of colours If you have thicker brows this will be a little easier than if you have non-existent blonde hairs like me!

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My male modelling just reads as confused. I look like Karl Pilkington here.
 
I added a very light layer of Illamasqua Skinbase - it's got quite a realistic texture - and did a little spot concealing, but nothing too polished. Moisturiser is fine, but don't do anything to change the texture of your skin in terms of smoothing or pore-filling products like primer - keep it as natural as possible. Don't bother concealing under the eyes either, as after I did my brows, I blended Wolf eyeshadow from Illamasqua, a cool brown, under my eye and across the lid, taking care to really, really blend it out to create natural looking shadows and the illusion of a deeper eye socket. I decided not to use any mascara, but I think next time I will add a bit of clear mascara to the lashes as it didn't look quite right next to the Charlie from Busted eyebrows. Then I swept the same matte eyeshadow across my jawbone to give the illusion of five o’clock shadow.


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The five o’clock shadow wasn't reading very well on my camera – in real life it looked pretty good, but then, I know what I look like without it so I thought it needed to be more exaggerated. I stippled Illamasqua brow cake in Thunder into a rough goatee shape and took it along the jaw and up into my hairline. This is where I need to experiment a little more – the shadow was the right tone and I used it both wet and dry to create more depth, but I'm going to order a special stippling sponge to nail the texture - it's not quite shoot worthy yet! If you're doing this and wearing it out, make sure you use a good setting spray or, if you're really invested, alcohol activated face and body paints will last and last.

Lastly, I pursed my lips really tightly and rubbed in a tiny amount of foundation that was slightly lighter than my lips to make them look a bit more chapped and rugged. Any old foundation or concealer will do. I didn't want to do my uber-long hair, so I went with a hat. MANLY HAT.

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And a cheeky colour shot/comparison. I look like my dad but with a better beard – Sorry Dad!
This is a really simple way of looking more like a boy - concentrate on your eyebrows, add a little depth around your jaw and ignore what you'd normally do to your skin, and you'll be pretty much halfway there. I’ll be back again with a heavier, more theatrical version of female-to-male makeup soon – think reverse contouring, heavier brow bones, exaggerated skin texture/wrinkles!

Have you ever gone drag king/queen?

Tuesday, 7 January 2014

Some Recent Makeup Work/Publications

Thought I would share a few pretties here with you! The latter half of 2013 was quite quiet for me on the makeup front due to other commitments. but I’ve been very lucky that the shoots I have done have all been fabulous and I've come away with lovely memories and a few publications to boot!

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Model: Abby Munro
Designer: BLACKMIRROR DESIGN
MUAH: Robyn Skinner
Photographerh:
Richard Powazynski
 
Published in FJORDE Magazine. Click here to read for free.
 
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(The model in black and white is our work, as is the blonde model in the bottom-left corner. They’re both Abby!)
 
Model: Abby Munro
Designer: BLACKMIRROR DESIGN
MUAH: Robyn Skinner
Photographerh:
Richard Powazynski
Published in Kultur Mag.
 
Finally got some images back from a shoot with an amazing team this summer – everyone involved was so talented, so it's wonderful to see some publications come from everyone’s hard work. Please check everyone linked above out, their work is so beautiful! I was very honoured to work with the team.

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Models: Kelly Knox and Labonya Siddiqui
Photographer: Gavin Kemp
MUAH: Robyn Skinner

A really interesting shoot, this one. Inspired by the iconic United Colors of Benetton shoots from the late 80’s and early 90’s, the photographer wanted to explore diversity. Kelly was born without her left forearm and Labonya is a burns survivor so each model brought a different perspective to the shot in terms of how we perceive people's beauty. It was really sobering to hear Labonya’s story and I hope the images go some way to showing that physical differences don’t make anyone less beautiful.  You may have seen Kelly on Britain's Missing Top Model and How To Look Good Naked.
  
 


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shoot name :: Wrath Reloaded … or the fifth Deadly Thing
photography & set design :: Marco Fazio at mjfstudio
filmmaker :: Patricia Vilani at Suspicious Behaviour
filmmaker :: Paul Sunich at Tracer7Films
art director :: Strawberry Love at mjfstudio
fashion designer :: Marianna Nardin at Blackmirror Design
make-up artist & hair stylist :: Robyn Skinner
art consultant :: Iggy Passenger
set design consultant :: Claudia Parker
construction coordinator :: Urim Mripa at DOT Bespoke
CGI designer :: Marco Vacca
key scenic :: Michal Mackiewicz
assistant photographer :: Debora Palazzo
assistant photographer :: Alfredo Ezquerra Sanchez
assistant photographer :: Laurent Azemi
assistant videographer :: Yhago Maia
model, arms & armour scholar :: Bella White
model :: Elena Miriam Tun
model :: Champ Imi
location and set construction :: courtesy of DOT Bespoke, London (UK)
oxidised finish for backdrop panel :: courtesy of Metropolis by IVAS, San Mauro Pascoli (Italy)

I absolutely loved everything about this shoot! Everyone worked so hard and really pulled it all together! The concept was 'Wrath,' with a baroque influence and references to Caravaggio and Italian art. I loved designing the hair and makeup for this shoot and making sure each character fit the bill and complimented each other and the concept nicely.

Well, that's all I have to show for now, but there's plenty more coming soon! Thank you for looking at my little artistic endeavours and please check out the work of all the lovely people linked here!

Wednesday, 17 July 2013

Anatomy of a Photoshoot

Most of you will know by now that I do some makeup work on the side - it's by no means a full time job for me (yet! Fingers crossed!) but it is something I work very hard at and put a lot of hours into. A friend of mine made a comment last week that made me realise that most people simply don’t know how much work goes into a photoshoot! I did a beauty shoot just over a week ago and this post documents everything that goes into it - from my point of view, anyway! Preparations for models, photographers and stylists are of course all different but take just as much if not more time. Not all shoots involve this much planning, some require more and some less. Each one is different.

My friend Yat Tang was the photographer for this shoot and it was his concept. I’ve worked with him a few times and his work is beautiful. In a more professional setting he would be the client, and everything would need to be approved by them. He sent me this inspiration board:

flower beauty1

And then I set up my own Pinterest board to gather my thoughts and ideas as well:

pinterest

 

Once I'd seen the models Yat had cast, I came up with a rough face chart for each and sent them to him for approval:

face chart 

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One of the looks involved making a hair piece which I knew would really help take the photos to a better level.  I spent a couple of hours in the shops searching for bits and bobs for it, and I also went foraging for leaves, twigs etc. I then spent an afternoon making the head piece which was very tricksy actually! I don't always make things for shoots, but if it's applicable I like to add that extra level of my creativity and it often impresses the team as well. Other things I might make include nails and other head pieces, like this and this.

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Here I am sewing hair donuts together to get the size and height I want. Hair donuts can be very expensive in some places so I bought el cheapo ones from Primark and made with the scissors!

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Halfway there…


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And finished! Sewing real leaves together is a pain in the butt! It’s not the most fabulous thing in the world but trust me, it looked great in the photos.

The day before the shoot, I spend up to two hours cleaning my brushes and packing and re-cleaning my kit. It doesn’t always take that long, but if I’ve left it till the last minute and have no clean brushes left, which I do all too often, it can take a while! I’ll double check everything before I leave for the shoot at least twice as I have a huge, huge fear of leaving my brushed behind! I could substitute many things for something else in my kit but no brushes = disaster!

My first model, Donna, was at 9.30pm and we shot with her until 1pm. She had a pretty simple, soft look with oranges and pinks. Her hair and makeup took perhaps an hour and a half, maybe a little longer. This sounds like a long time considering the look but it's important to get it right. Her headdress was made on the day as we were using fresh flowers. Here's a timelapse video and some BTS shots of getting ready and starting to shoot:

 

 

Beauty Shoot with Donna Time Lapse from Yat Tang on Vimeo.

 

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As you can see, Jade isn’t dressed up at all! If you’re only shooting headshots, quite often a model will just wear what they came in or something on the top half. Lots of beauty shoots are just shot in a strapless bra.

I hope this illustrates that behind the scenes things aren't always as glamorous as people image them to be! Lots of studios in London are in unromantic places such as business parks, hidden behind car parks, on industrial estates, etc. When I first started going to studios I wondered if what I’d gotten myself into was dodgy due to the locations!

Finally, here are some of the images:

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It seems like a lot of work and it is, but seeing a beautiful image you helped create is so amazing. There's nothing like it! After a shoot, there’s not much work for me and the model – obviously I have to clean a lot of brushes and my kit, but you soon get used to doing this all the time and have a little routine so it doesn’t take too long. Small things like packing dirty brushes separately from ones that haven’t been used helps a lot.

Hope this was interesting to some of you - please check out Yat, Donna and Jade's pages, and if you're in the London area, Dock House Studio.

Thursday, 2 May 2013

Bits and Bobs from Photoshoots!

I’ve not really updated you all on my photoshoots at all this year, so here is a few little peeks at what I’ve been up to, with lots lots more to come! There is a slightly NSFW shot a little further down, just so you know!

All makeup (and hair, unless otherwise stated) is by yours truly.

Nadia Beauty 001
Nadia Beauty 002

Photographer: Rich Newnham
Model: Nadia Elizabeth

A bit of a poor Alex Box rip off there, but I couldn’t help myself! This was actually my first shoot of the year and it was such fun – I’d been dying to work with the beautiful Nadia and we finally managed to do it just before she moved back Down Under! Lots and lots of Inglot used on this shoot on eyes and lips, with an Illamasqua shadow for the blush and good old MUA Shade 9 for the lovely, shimmer purple.

 

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Photographer: Richard Newnham
Model: Jasmina Lasota

 

Another shoot with my good friend Rich, this was such fun too! I was a little nervous because Jasmina is a makeup artist as well as a model, but she was awesome and wasn’t scared off, haha! This shoot was a totally new type of look for me and I think I did okay!

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Photographer: Monika Schaible
Models: L, Lisa Jane Ralph, R, Beth Chambers


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Photographer: Nate Togg
Model: Miss Jenna Betts
Hair: Lucia Mameli

Dead Lotus Couture

That’s Jenna again in the pasties, and I also did Ellen’s makeup in the red dress with Lucia on hair again.


Clothing and styling for all: Dead Lotus Couture
Location for both: LSS Studio, Brixton

I LOVE a bit of latex, it always looks so, so awesome in photos. Nange, who designs Dead Lotus Couture, is freaking awesome and I was really excited to work with her.


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Photographer: Yat Tang Tang
Assist: Nicholas Brown
Model: Mariana Chuleva at Bad Models Management
Styling, clothing and jewellery design: Timea Talian Designs
Location: Rivoli Ballroom, London

This is probably my favourite shoot from the year. The whole team was fab, the location and clothes were gorgeous and it all just came together beautifully.

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Photographer: Darkhorse Photos
Model: Aaliyah Johnson
Headwrap: Karen Salandy MUA (who did the other model)
Location: Adrian Pini Studio

 

Again, this was a bit of a challenge for me! It took so SO LONG and I still wasn’t super happy with it, but I was so pleased to get to try something like that and to have the change to work on my precision (which still needs work, but I’m getting there!) And as always, the behind the scenes shots end up with me looking like the models mum! It was fun working with Aaliyah who doesn’t normally do mad stuff – she liked it and drove home like it!

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Raido3
Raido1

Photographer: Twitch Photos
Model: Amber Skyline
Wig: Geisha Wigs


I’d wanted to work with this photographer for a while, her stuff is so cool! This is part of her Runes series and the rune for this shoot was Raido, which means ‘ride,"’ or ‘journey.’ Amber is a bellydancer and her outfits were amazing! I wanted to do something “tribal” (annoying terminology but you know what I mean!) and flowing to fit in with the model.


Phew! If you read all that, thank you! More coming soon!

Saturday, 5 May 2012

A few shots...

Shooty goodness for you today! Hope you like!
 Lauren Watkins by Rhinoa's Photography. Makeup by me using Sugarpill, MAC and Sleek.


"City Chick." Danielle Holbrook by Karolina Marek. Makeup by me using Inglot, MAC and MUA.

"City Chick." Lisa Jane Ralph by Karolina Marek Photography. Makeup by me using Inglot, MAC, Maybelline. 

 Krysal Johns shot by Stuart Runham for Pinupzania. Hair and makeup by me using Inglot and MAC.

"Primary colours." Lisa Jane Ralph by Rhinoa's Photography. Using Inglot, Sugarpill, 120 palette, MUA.
 "Similar colours." Lisa Jane Ralph by Rhinoa's Photography. Makeup by me using Inglot and Darling Girl.


Friday, 27 May 2011

UV Shoot

I thought I'd show you guys a few photos I've got back from a UV shoot I went on last weekend. It was quite a small shoot and I didn't do the most astonishing or well executed makeup in the world, but it was really fun. Be warned - there are some boobs in this post, but they're well covered. Sorry, pervs.


Corinna by Al Veryard


 Me and a very messy table by Dark Horse Photos. Here be nudes, should you click on it.

A lovely shot of how messy I manage to make an enormous work station! It's very boring hanging around waiting for models/set up/people to make you tea and I felt very underdressed with no UV makeup on, so I switched my eyebrows while I was waiting ;)
The UV makeup I used was a combination of Kryolan Aqua Colors, Sleek Acid (not all of them are UV, just the neon green, yellow, orange and pink) Fardel paints and Evil Shades:

Forgive my dry lips, but that's Evil Shade's Fateful*. Cool huh? Their 'Backtalk' blush glows too.

That's all for now, shiny seekers!

*D'oh, it's actually Fearless, but apparently the glitter in Fateful is also UV reactive :)